Thursday 30 April 2020

1965

Lewisham Road, London. 1965
During the 'swinging sixties' I was an art student in London. At weekends you might find me in my red leather boots, mini skirt and butcher's boy cap sauntering down Carnaby Street or along the King's Road. I lived in a bedsit on the Lewisham Road. The Indian landlord and his wife lived in the basement and the wonderful smell of cooking spices drifted up to my room on the ground floor. The rooms above me were crammed with other students. All of us shared the same bathroom which had French windows leading out into the long back garden, a space left to riot as it wished, entirely covered in rose bay willow herb. You know what they say about the sixties, that if you remember them you weren't really there. But I remember every aspect of 1965 very clearly.
Before coming to London I had spent four years as a fine art student at a northern art school. In the spring of '65 the young life model became pregnant. She asked me to lend her money as she was desperate to have an abortion. I lived carefully on my grant and small sum of scholarship money and was relieved that I had no moral decision to make and could honestly say that I didn't have any money to spare. No one else was prepared to lend her money for this illegal and life-risking deed and she went on to carry the child. Then a girl in my year discovered that she was pregnant. She and her boyfriend were delighted! I have photo of us all in the studio, mum-to-be with an ENORMOUS belly, her face smiling broadly above.
I went to London in the autumn where college didn't start until ten o'clock. I was used to an earlier start and sometimes caught the bus to Greenwich Park with friends so that we could walk in the quiet with grass under our feet. We would have breakfast at a transport caf at the bottom of the park and then catch a bus back to college. If there was to be a morning lecture students in the house would knock on each others' doors to be sure that they would be in the lecture theatre in good time. One morning we failed to rouse the girl in the room above me. She had taken an overdose in an attempt to take her own life. We pulled her out of bed and dragged her around the room. I sprinted down the road for a telephone, my heart hammering. It transpired that during the summer she had had an abortion and now was filled with despair and regret. When she was released from hospital she was sent to a recuperation centre where I visited her. It was a grim place, a large wooden hut that had been used after the war as somewhere for displaced persons. She was a forlorn sight. She returned home and did not complete her studies.
Sometime later I read Germaine Greer describing the delights of her youth, the joy of women in being sexually free. If you became pregnant, she wrote, it was easily solved by having an abortion. Silly bitch, I thought. How simplistic.
The 1962 film, The L-shaped Room stars Lesley Caron as a young unmarried pregnant woman. It is a black and white - and grey -  film, and is, for me a very accurate depiction of 'swinging' London in the sixties.

11 comments:

  1. Thank you for this glimpse into your own past, and a different era it was. My parents married in July 1965; my sister and I were born in 67 and 68, so I am too young to remember the sixties; I only know what I have read and what my parents have told me.
    A beautiful photo of a beautiful young woman!

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    1. i was married in '67, two years after your parents - we are still going strong! This particular memory was a response to Tasker Dunham's book review of 'The Millstone', which I have yet to read. The '60's were very happy and exciting years for me, I loved every minute of my art school studies and while in London enjoyed the easy access to galleries, museums and cheap seats at the theatre. We art students might have looked like a bunch of 'swingers' but we were ambitious and serious-minded and the world felt full of opportunity.

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  2. Art school in the 60s. How things have changed.

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  3. 1962 would be a very early depiction of "swinging" London, and the novel on which it is based was 1958. The other thing that occurs to me is that neither a French woman living in London, or a PhD student (in The Millstone) and perhaps not an art student would have had the same experience as "ordinary" people, although perhaps they did anticipate how ordinary people would live later.

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    1. Art schools were and are full of 'ordinary' people, although I suppose that many of the young women there in the '60's had already shown their independence by choosing art as a career path.
      The suicide attempt was a frightening and sobering experience, teaching me that human emotions are very complex.

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  4. I remember the early 60's.Left school 1964 . My art teacher wrote to my dad asking if I would be allowed to go to art college to which he replied no she will get a job and help her mother and give her money for her keep. So I did. No regrets. I married at 18 and was a mum by 21. Certainly didn't envy the girls who were unmarried mums , and I knew one or two. It was very different then.

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    1. Thank you for commenting, Caz. I'm delighted to read that although you were thwarted in your wish to go to art school you have no regrets.

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  5. I think we share the same timeline, though by 1965 I had finished art school. I went for 4 years beginning at age 18. I know the British education system works a little differently than in the USA.

    By 1965 I was living and working in NYC, as I had not just dreamed, but PLANNED. Thanks to the Beatles, London was the epicenter of the world (to the annoyance of many New Yorkers). It took me a few years to make my first visit.

    As far as sexual mores, times were incredibly difficult. The fear of getting pregnant was enough to scare me to the point where I think it affected a natural relationship with the opposite sex. Things got better with the advent of the pill, of course, but I knew several young women whose lives were suddenly and irrevocably changed by becoming pregnant. And back then the girl was always felt to blame.

    I too loved art school but am relieved we are more enlightened today.

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